About KITKA Click here for Press Quotes “KITKA’s songs are hauntingly beautiful, simple, yet otherworldly. The rich sound these women produce resonates as if energized by the universe itself, as if it were calling all live beings and still matter into togetherness and unity.”      — Ching Chang,           SAN FRANCISCO BAY TIMES The Ensemble, 2009-2010 Season: Caitlin Tabancay Austin Leslie Bonnett Briget Boyle, Ensemble Manager Shira Cion, Executive Director Juliana Graffagna Janet Kutulas, Music Director Elizabeth Setzer Lily Storm MISSION AND HISTORY Kitka is a professional women’s vocal ensemble dedicated to producing concerts, recordings, and educational programs that develop new audiences for music rooted in Eastern European women’s vocal traditions. Kitka also strives to expand the boundaries of this music as an expressive art form. Kitka’s mission is accomplished through a busy itinerary of live performances, including a San Francisco Bay Area home concert series; regional, national, and international touring programs; community service activities and workshops; in-school programs; radio, television and internet broadcasts; recording and music publication projects; master artist residencies; commissioning programs; and adventuresome collaborations. Founded in 1979, Kitka began as a grassroots group of amateur singers from diverse backgrounds who met regularly to share their passion for the stunning dissonances, asymmetric rhythms, intricate ornamentation, lush harmonies, and resonant strength of Eastern European women’s vocal music. Under the direction of Bon Singer from 1981 to 1996, Kitka blossomed into a refined professional ensemble earning international renown for its artistry, versatility, and mastery of the demanding techniques of traditional and contemporary Balkan, Slavic, and Caucasian vocal styling. Under the co-direction of Shira Cion, Juliana Graffagna, and Janet Kutulas since 1997, Kitka has grown to earn recognition from the National Endowment for the Arts, Chorus America, and the American Choral Directors’ Association as one of this country’s premier touring vocal ensembles. In addition, many international musical authorities consider Kitka the foremost interpreter of Balkan and Slavic choral repertoire working in the United States. Kitka has deep ties to Eastern Europe and has traveled there to perform and collect repertoire many times. In 2002, Kitka joined Le Mystere des Voix Bulgares as “international guests of honor” for this world-renowned choir’s 50th Anniversary Gala at the National Palace of Culture in Sofia, Bulgaria. In 2005, supported by a major grant from the Trust for Mutual Understanding, Kitka journeyed to Ukraine for a series of performances, international artist-exchange meetings, radio and television broadcasts, and research expeditions in rural villages. Kitka’s singers regularly conduct fieldwork in ethnic communities throughout America as well as abroad. Individual Kitka members have researched and collected songs in Bulgaria, Hungary, Macedonia, Georgia, Russia, Turkey, and Ukraine. Many of Kitka’s singers are also talented composers and arrangers who create original settings of songs they have gathered in the field. In 2000, Kitka received major grants from the National Endowment for the Arts and the Rockefeller Foundation’s MAP Fund to launch the New Folksongs Commissioning Project, which engages some of the most exciting voices in contemporary music to write new works that utilize Kitka’s wide-ranging sound palette. New Folksongs commissions premiered to date include compositions by Pauline Oliveros, Chen Yi, Dan Cantrell, Marcel Khalife, Janet Kutulas, David Lang, Linda Tillery, Sara Michael, Daniel Hoffman, Raif Hyseni, Thilo Reinhardt, Roy Whelden, Vladimir Zenevitch, Janika Vandervelde, and Richard Einhorn. In 2002, Kitka began work on it’s most ambitious commissioning project to date: The Rusalka Cycle: Songs Between the Worlds, a new vocal-theater project directed by Ellen Sebastian Chang, with original music by Ukrainian composer and folk singer Mariana Sadovska. Weaving old Slavic mythology together with contemporary themes, The Rusalka Cycle’s premiere performances took place to extraordinary public acclaim at Oakland’s Malonga Center in November 2005. The Rusalka Cycle was revived in San Francisco in January 2008 and subsequently toured to the Revolutions International Theater Festival in Albuquerque, NM. A European tour of The Rusalka Cycle is slated for April 2009, with performances at major festivals and venues in Germany, Poland, and Ukraine. In February 2009, Kitka will premiere Richard Einhorn’s The Origin, a new oratorio co-commissioned by ARTSwego at SUNY Oswego. Commemorating the 200th Anniversary of Darwin’s birth, and the 150th anniversary of the publication of The Origin of Species, The Origin will be scored for Kitka, symphony orchestra and chorus with film projections by award-winning video artist Bill Morrision. Kitka’s unique sound and innovative sense of programming has led to dozens of other fruitful collaborations, ranging from a reconstruction of the medieval Carmina Burana pageant for CalPerformances, (Thomas Binkley, director), to work with Hollywood composers and independent film-makers on motion picture soundtracks including Braveheart, Jacob’s Ladder, and Queen of the Damned. Other collaborations of note include creating the role of the Greek Chorus/Trojan Slave Women in the American Conservatory Theater’s three critically-acclaimed performance runs of Hecuba (Carey Perloff, Director) for which Kitka received a Drama Critic’s Circle Award nomination; the creation of Women in Black, a multi-disciplinary work inspired by the international Women in Black Against War Movement (Thais Mazur, choreographer; Katrina Wreede composer) for which Kitka received an Izzie award nomination for best musical contribution to a dance program; and Songs from Mama’s Table, a celebration of the commonalties and contrasts between Balkan, Slavic and African American women’s singing traditions with Grammy nominees Linda Tillery and the Cultural Heritage Choir. In March 2007, Kitka, in collaboration with composer Dan Cantrell, Yiddish folk singer, multi-instrumentalist and dancer Michael Alpert; Balkan Romani multi-instrumentalist and vocalist Rumen Sali Shopov; and stage director Aaron Davidman premiered Musical Fortunes, a new song cycle inspired by the intersection of Eastern European Jewish and Romani (“Gypsy”) cultures. Kitka has released ten critically acclaimed recordings, eight on its own Diaphonica label, most recentlySSanctuary: A Cathedral Concert (2008). A new recording and companion songbook Cradle Songs, featuring original settings of traditional lullabies of Eastern Europe, will be released on November 3rd, 2009. Kitka’s first songbook, a companion to the Wintersongs CD, is in its third pressing and continues to make a significant impact on the international choral music field. A frequent guest on national radio shows, Kitka has been featured on nationally syndicated programs such as PRI’s The World, A Prairie Home Companion, All Things Considered, On Point, The Story, West Coast Live and Performance Today. In January 2008, National Geographic produced a World Music Profile Podcast feature on Kitka’s Rusalka Cycle project. In recent seasons, live Kitka concerts were also broadcast widely on the CBC (Radio Canada), and Ukrainian national radio and television. Since the winter of 2006-2007, the live performance film Kitka and Davka in Concert: Old and New World Jewish Music has been broadcast nationally on more than 80 public television stations and has been an award-winning selection at international and Jewish film festivals from Beijing to Toronto. A frequently occurring symbolic word in Balkan women’s folksong lyrics, Kitka means “bouquet” in Bulgarian and Macedonian. Updated October 2009